Anyways, I was going for a kind of retro look, what with the leather trunk handle. I originally got the handle for an old drum restoration, but it didn't look quite right. Two years later the handle finds a home. The drawer pulls for the feet were also a fun idea to kind of complete the look. I'm planning on keeping this cajon around the living room, so that is the main reason for the look. Nothing wrong with plain cajons at all.
So this is my "Yambu setup". The bass cajons really add to a nice yambu. The dry and low cajon sounds don't get in the way of the vocals at all, which are so important to yambu. Just listen to some Carlos Embale to see what I mean. Yambu also has a quinto, often a cajon as well, but one cajon is enough for me. The funky look and quieter sound of my Isla quinto is the perfect companion for this cajon. I'm also planning on going to some flea markets and getting some old tarnished silver spoons for playing "cucharas" (palitos) on the top as well.
The artwork is some art nouveaus flash I had. I enlarged it in Photoshop, printed it out and then traced it onto the wood using graphite paper. I dug out my old architecture school supplies for the painting and drawing and such. It was kind of fun to combine my college architecture education with my construction experience to make an instrument for my musical hobbies. I hadn't done this kind of graphic work by hand in a while so I was a little nervous and rusty, but it was very enjoyable. I wasn't sure how it was going to come out, I was hoping for a masterpiece, but expecting a disaster.
I was going to write a big article on cajons but there are others that I've used for inspiration and information that have written much better articles than I'm capable of. First without a doubt would be Thomas Altman who has very a wonderful article on cajons. Thomas' article also contains detailed construction directions.
|Cajons by Thomas Altmann|
Also Barry Cox has a beautiful article on Guarapachangeo, Los Chinitos and the cajons they use.
|A cajón used by "Los Chinitos"|
Photo: Antoine Miniconi
I also referred with Patricio Banchereau, who is an associate of Barry Cox's and runs several blogs on rumba mentioned here before. The beautiful decorations on the cajons he made for his students inspired me to decorate my own cajon. Patricio shared with me some excellent advice on cajons, a portion of which I will paste here:
One last things I'd like to add: the main sound element is your hand!!
You may be aware of that already, but in every style of Cuban percussion you have to stick your strokes and keep the hand on the instrument until you give another stroke. 90 percent of Cubans play like that (not everyone) - clave, timbal, bongo, congas, bata, catá, even bells, whatever, that's what I teach - nobody ever talks about that obviously, in some cases you can't (open strokes with stick in hand like timbal or arará or bembé) and the faster you play, the more impossible it becomes to do that to me the cajón is one of the instruments in which this method is very important - especially for bass tones but even for open strokes and slaps on the corners. Once you understand that, you have more chances to get a good sound - this is my theory and no Cuban ever taught me that - only careful observation for years just watch and you'll see - did u see El Niño from Muñequitos tocando clave (he just caresses the clave)?
|Cajon by Marc Hough|
I'm looking forward to playing this instrument. It was a lot of fun to make. I may be making more some time. I'm still interested in making a "Pancho Quinto" model as well.